Tom Nicholson

 

Born 1973 Melbourne, Australia. Live and works in Melbourne.

  

Selected solo exhibitions

 

     2014

Comparative monument (Ma'man Allah), Milani Gallery, Brisbane

Cartoons for Joseph Selleny, Art Gallery of New South Wales, Sydney

     2012

Proposition for a banner march and a black cube hot air balloon (with Raafat Ishak), Shepparton Art Museum, Shepparton.

     2011

Drawings and correspondence, Anna Schwartz Gallery, Melbourne.

     2010

Camp Pell Lecture, in collaboration with Tony Birch, Artspace, Sydney.

     2009

Lines towards another century, in collaboration with Andrew Byrne, Parco delle Rimembranze. Performance with the Italian contemporary music ensemble, L’Arsenale.

     2008

Lines towards another century, in collaboration with Andrew Byrne, Holburne Museum. Performance with the Elysian Quartet.

After action for another library, Te Tuhi Centre for the Arts, and Pakuranga Library, Auckland, New Zealand.

     2007

Documents from a banner marching project, Ocular Lab Inc, Melbourne.

     2006

Traces towards four Coranderrk drawings in a Berlin store-room, Plattform, Berlin.

After action for another library, Anna Schwartz Gallery, Melbourne.

Flag Time: Marat at his last breath, Ocular Lab, Melbourne.

     2004

22.06.1911/30.10.2004: Documents after Marching Season, IASKA (The Aurora Project, Regent Theatre), Kellerberrin.

     2003

After action for another library, Humboldt University, Berlin.

Stills from an archive into five actions, Australia Centre, Berlin.

Melancholia (Documents after five actions, Berlin), Gertrude Contemporary Art Spaces, Melbourne.

Fragments from an archive into five actions, West Space, Melbourne.

Anarchist Salon (with David Corbet), Ocular Lab, Melbourne.

     2002

Documents after five actions, Kapelle der Versöhnung, Berlin.

Fragments from an archive into five actions, studio exhibition, Berlin.

     2001

After action against book burning (Two fragments for a disused Stasi office), studio exhibition, Berlin.

     2000

After Dili Action, West Space, Melbourne.

     1999

Collaborative Project: A Syntax into Six Landings, with John Abbate, Public Office, Melbourne.

 

Selected group exhibitions

    2016-2017

Dissenting Voices, The Art Gallery of Western Australia, Perth

    2016

The Jerusalem Show: Before and after origins, Qalandiya International, Jerusalem, West Bank and Gaza

Antipodes, Museum of Archaeology & Anthropology, University of Cambridge, United Kingdom

Frontier Imaginaries, QUT Art Museum and Institute of Modern Art, Brisbane

CCP Declares: On the Social Contract, Centre for Contemporary Photography, Melbourne

Lines that could be Scars, Australian Print Workshop, National History Museum, Canberra

Now is the Hour: Recent Acquisitions, Latrobe Regional Gallery, Melbourne

    2015

‘Neither Back Nor Forward: Acting in the Present’, 16th Jakarta Biennale, Indonesia

A Breathcrystal, Project Arts Centre, Dublin, Ireland

PP/VT (Performance Presence/Video Time), Australian Experimental Art Foundation

Qalandiya International, Jerusalem, Israel

    2014

The Allegory of the Cave Painting, Extra City, Antwerp

Conflict: Contemporary responses to war, University of Queensland Art Museum, Brisbane

Concrete, Monash University Museum of Art, Melbourne

    2013

Melbourne Now, National Gallery of Victoria, Melbourne

     2012

Propositions Part Two, Milani Gallery, Brisbane.

Parallel Collisions, Adelaide Biennial of Australian Art, Art Gallery of South Australia.

Marking Time, Museum of Contemporary Art, Sydney.

Sonic Spheres (with Andrew Byrne), TarraWarra Biennial, TarraWarra Museum of Art.

Radio Alice (with Riccardo Vaglini), Margaret Lawrence Gallery VCA.

Paul Guest Prize for Drawing, Bendigo Art Gallery.

Liquid Archives (with Raafat Ishak), Monash University Museum of Art; Ocular Lab; Margaret Lawrence Gallery; VCA; University of Melbourne.

     2011

Surviving the future, curated by Jan-Erik Lundstrom, Murmansk Art Museum, Murmansk, Russia.

Second World, curated by WHW, Galleria Nova, Zagreb, Croatia; Visual arts component of Steirischer Herbst, Graz, Austria

Without Words: Photography and Emotion, curated by Kyla McFarlane, CCP, Melbourne.

10 ways to look at the past, curated by Jane Devery, July, National Gallery of Victoria, Melbourne.

Finalist exhibition of the Melbourne Prize for Urban Sculpture, Federation Square.

     2010

Rehearsal, The 8th Shanghai Biennale, curated by Gao Shiming, Shanghai Art Museum, Shanghai.

Last Ride in a Hot Air Balloon, 4th Auckland Triennial, curated by Natasha Conland, Auckland Art Gallery and associated venues, Auckland.

Animism, curated by Anselm Franke, Extra City and MUHKA, Antwerp.

To the Arts, Citizens, curated by Oscar Faria and Joao Fernandes, Serralves Museum, Porto, Portugal.

Kent State: Four Decades Later, curated by Ann Stephen and Luke Parker, University Art Gallery, University of Sydney.

Still vast reserves II, curated by Emily Cormack, Gertrude Contemporary Art Spaces.

Duetto (in collaboration with Tony Birch), curated by Domenico de Clario, Australian Experimental Art Foundation, Adelaide.

The Art of War, curated by Sean Donaher, CEPA, Buffalo.

     2009

Word, Anna Schwartz Gallery, Sydney.

Still vast reserves, curated by Alexie Glass, Francesco Stocchi, and Emily Cormack, Galleria Magazzino d'Arte Moderna, Rome.

West Brunswick Sculpture Triennial (with Raafat Ishak), curated by OSW (Terri Bird, Bianca Hester, and Scott Mitchell), over four sites: wBST base camp, 135 Union Street, Brunswick; Anstey and Ashton; Ocular Lab; Nikos' Rear Entrance; and 461 Albert Street, Brunswick West.

Erased: Contemporary Australian Drawing, curated by Natasha Bullock, an Asialink touring exhibition, the Nanyang Academy of Fine Arts Gallery (NAFA), Singapore.

The Gift, June 12 – 28, I. C. A. N., Sydney.

+/-, curated by Danny Lacy, 7 September – 9 October, curated by the Monash University Museum of Art at the Faculty Gallery, Faculty of Art and Design, Monash University, Melbourne.

     2008

Since we last spoke about monuments, curated by Mihnea Mircan, Stroom Den Haag, The Hague, 12 September-November 4.

The Melbourne Prize for Urban Sculpture Finalists Exhibition, Federation Square, Melbourne, 10-24 November (in collaboration with Raafat Ishak).

Form and discontent, curated by Brad Haylock and Misa Glisovic, Dont come, Melbourne, 12 December 2008 - 3 January 2009; casa roja (in collaboration with Domenico de Clario), performance as part of The Artist in the World programme, 2 April, Federation Hall, Centre for Ideas, VCA.

     2007

Regarding Fear and Hope, curated by Victoria Lynn, Monash University Museum of Art, Clayton, and the Monash Faculty Gallery, Caulfield, Melbourne, 5 July - 28 July (Caulfield), 4 July - 25 August (Clayton).

System error: War is a force that gives us meaning, curated by Lorenzo Fusi and Naeem Mohaiemen, Centro Arte Contemporanea, Palazzo delle Papesse, Siena, 3 February-6 May 2007.

Proposition for an action with banners and a black cube hot air balloon (action with Raafat Ishak), 13 March, Arden Street Football Ground, North Melbourne; (as casa amarilla, in collaboration with Domenico de Clario) Odradek, 15-31 August, Faculty Gallery, Faculty of Art & Design, Monash University, Melbourne.

     2006

Zones of contact, 15th Biennale of Sydney, curated by Dr Charles Merewether, 7 June – 27 August.

Transversa, as part of The South Project, Museum of Contemporary Art and Galeria Metropolitana, Santiago, Chile, October.

Trinity Nine, an Ocular Lab project at Trinity College, Melbourne, including John Abbate, Damiano Bertoli, Sandra Bridie, Julie Davies, Raafat Ishak, Sean Loughrey, Sally Mannall, and Alex Rizkalla, 8-27 August.

Endgame: Late-capitalist Realism (with Andrew Byrne), a project by The Office of Utopic Procedures, VCA Gallery, 14 September-9 October.

New Social Commentaries, Warrnambool Art Gallery, 2 September-5 November; Ghosts of self and state, curated by Geraldine Barlow, Monash University Museum of Art, Clayton, 5 April – 10 June.

Banners held high: The 150th Anniversary of May Day/Labour Day, curated by Jo Holder, The Cross Art Project, Sydney, 6 - 27 May.

     2005

The body. The ruin, curated by Bridget Crone, The Ian Potter Museum of Art, The University of Melbourne, 5 November – 22 January.

The Melbourne Prize for Urban Sculpture, finalists exhibition, Federation Square, Melbourne, 9 – 20 November.

course, with Jan Svenungsson, Ocular Lab, Melbourne, July 29-31; Re/thinking, Bus Gallery, Melbourne, 4 September – 22 October; Ocular Lab: 12, curated by Kirsten Rann and Alex Rizkalla, Spacement, Melbourne,19 April-7 May.

From Space to Place, curated by Marco Marcon, Perth Institute of Contemporary Art, Perth, 31 March-8 May.

     2004

2004: Australian Culture Now (with Raafat Ishak), National Gallery of Victoria, Melbourne, June-August.

NEW04, curated by Geraldine Barlow, Australian Centre for Contemporary Art, Melbourne, 23 March-19 May.

Performance anxiety, Ocular Lab, Melbourne, February.

     2003

Curiosity kills the gab, curated by Tobias Berger, Artspace, Auckland.

Feedback: Art, Social Consciousness, and Resistance, curated by Charlotte Day, Monash University Museum of Art, 19 March-10 May.

Video Loop: Actions, curated by Blair French, Performance Space, Sydney, July.

     2001

The Office of Utopic Procedures, West Space, October-November.

The Stolen Generations Memorial Competition (in collaboration with Louisa Bufardeci), June-August, Museum of Victoria, Melbourne.

     2000

Critical Response, curated by Felicity Fenner, Ivan Dougherty Gallery, Sydney, 29 April-27 May.

Action/Recollection: Here the body is, West Space, 13 July-5 August; Drawing: The Extended Field, VCA Gallery, Melbourne, September.

     1998

VCA Graduate Exhibition, Drawing Department, VCA. 1997: Drawing in the 90s, Sutton Gallery, Fitzroy.

 

Artists’ Books

     2010

Drawings and correspondence, designed with Brad Haylock (Melbourne: Surpllus, 2010), published for the exhibition Animsim, Extra City and MUHKA, 2010.

     2009

Monument for the flooding of Royal Park, designed with Brad Haylock (Melbourne: Schwartz City, 2009).

     2003

After action for another library, designed with Brad Haylock (first edition: Melbourne: Self-published, 2003; second edition: Melbourne/ Siena: Self-published in conjunction with Palazzo delle Papesse for the exhibition System Error: War is a force that gives us meaning, 2007).

 

Selected Bibliography

 

     2012

Tony Birch, Tom Nicholson's shadow, Broadsheet, March 2012.

Anneke Jaspers, Interview with Tom Nicholson, Das Superpaper, Adelaide Biennial issue, March 2012.

Andrew Benjamin, With the line. Within the line. Notes on the work of Tom Nicholson, in Marking Time (exh. cat.), (Sydney: MCA, 2012).

Natasha Bullock and Alexie Glass-Kantor, Parallel Collisions, exh. cat. (Adelaide: AGSA, 2012).

     2011

Shelley McSpedden, Inteview with Raafat Ishak and Tom Nicholson, Discipline, no. 1, Winter 2011, pp. 94-99.

Sary Zananiri, Interview with Tom Nicholson, Art Territories.

     2010

Anselm Franke et al, Animism, exh. cat. (Antwerp: Sternberg Press, Extra City, and MUHKA, 2010).

Mihnea Mircan, Tom Nicholson, in Natasha Conland (ed.), Last ride in a hot air balloon. 4th Auckland Triennial, exh. cat. (Auckland: Auckland Art Gallery, 2010).

Nicola Harvey, Camp Pell Lecture, Frieze online, 19 February 2010.

     2009

Blair French, Tom Nicholson: Following the event, Art & Australia, Vol. 47, No. 1, Spring 2009.

Anthony Gardner, Which histories matter?, Third Text, Volume 23, Issue 5, September 2009, pp. 605 – 615.

Reuben Keehan, Tom Nicholson, in Natasha Bullock (ed.), Erased: Contemporary Australian Drawing, exh. cat. (Melbourne: Asialink, 2009).

Nicola Harvey, Word, Frieze online, 3 August 2009.

     2008

Chris Fite-Wassilak, Review of Lines towards another century, Frieze, Issue 118, October 2008.

Chris Fite-Wassilak, Review of Lines towards another century , Art & Australia, December 2008.

Mihnea Mircan, Since we last spoke about monuments, in exh. cat. Since we last spoke about monuments (The Hague: Stroom Den Haag, 2008).

Max Delany, Essay on contemporary Melbourne art, as part of the Melbourne City Profile, Frieze, Issue 115, May 2008.

Nicola Harvey, Essay on contemporary Melbourne art, as part of the Melbourne City Profile, Frieze, Issue 115, May 2008.

Bridget Crone, Lines towards another century, in exh. cat., Andrew Byrne and Tom Nicholson Lines Towards Another Century (Bath: Media Art Bath, 2008).

 

 

     2007

Jarrod Rawlins, Tom Nicholson (Review of the solo exhibition After action for another library at Anna Schwartz Gallery, September 2006), Flash Art, Jan-Feb 2007, p. 114.

Lorenzo Fusi and Naeem Mohaiemen (ed.), System Error: War is a force that gives us meaning, exh. cat., Palazzo delle Papesse Centro Arte Contemporanea, Siena, and Silvana Editoriale, Milan, 2007.

Victoria Lynn, Regarding Fear and Hope, exh. cat., Monash University Museum of Art, Melbourne, 2007.

Robert Nelson, Regarding Fear and Hope, review, The Age, 25 July.

Adam Gifford, After action for another library at Te Tuhi Centre for the Arts and Pakuranga Library, New Zealand Herald, 18 October.

     2006

Dr Charles Merewether, Taking place: Acts of survival for a time to come, in Zones of Contact, the 15th Biennale of Sydney, (exh. cat.), Sydney, 2006.

Dr Charles Merewether and Tom Nicholson, The practice of action, in After action for another library, the 15th Biennale of Sydney, Sydney, 2006.

John Mateer, The gap of the border: Tom Nicholson’s Banner marching project, Heat 11, pp. 171-188.

Anthony Gardner, Re/thinking, Art & Australia, vol. 43, no. 3, p. 433.

Justin Clemens, We’re all globile now, The Monthly, July 2006, pp. 56-58.

Sunanda Creagh, Timor turns a new page, The Sydney Morning Herald, 9 June 2006.

Michael Desmond, Making solid contact, Australian Financial Review, 23 June 2006, p. 5.

Shaun Ellis, Perfect profound, The Sydney Weekly, 14 June 2006, p. 32.

Jacqueline Millner, Partaking of a wide world, RealTime, 72, April-May 2006, pp. 46-7.

Benjamin Stark, Auflage der Sydney Biennale, Kunst, 21, pp. 16-21.

Michael Desmond, Making contact, Art Asia Pacific, No. 49, Summer 2006, pp. 40-41.

Christine Piper, Crossing the line, Follow, June 2006 pp. 134-135.

Sebastian Smee, A world of difference, The Australian, 13 June 2006, p. 14.

Sebastian Smee, Piece makers, Vogue, June 2006, pp. 64-65.

Michael Janover, Learning to live with ghosts, in Ghosts of self and state (exh. cat.), Clayton: Monash University Museum of Art, 2006, pp. 39-41.

     2005

John Mateer, Berlin is an archaeological find, in Marco Marcon (ed.), From Space to Place (exh. Cat.), Perth: IASKA, 2005, p. 39.

Marco Marcon, From Space to Place, in Marco Marcon (ed.), From Space to Place (exh. Cat.), Perth: IASKA, 2005, pp. 3-8.

Bridget Crone, The ruined body?, in The body. The ruin (exh. cat.), Melbourne: The Ian Potter Museum of Art, 2005, pp. 8-22.

A dialogue between Jan Svenungsson and Tom Nicholson, in course (exh. cat.), Melbourne: Ocular Lab, 2005.

Ted Snell, Artists welcome a township’s embrace, The Australian, 27 April 2005.

Daniel Palmer, 2004: Australian Culture Now, Art and Australia, volume. 42, no. 2, pp. 196-7.

     2004

Geraldine Barlow, New 04, in NEW04, exh. cat., ACCA: Melbourne, 2004, pp. 6-11.

Ray Edgar, Seven days, in NEW04, exh. cat., ACCA: Melbourne, 2004, pp. 38-39.

Brett Jones (ed.), Form and Formation: West Space 1993-2003, 3 Deep Publishing: Melbourne, 2004.

Charles Green (ed.), 2004: Australian Culture Now, exh. cat.: National Gallery of Victoria: Melbourne, 2004.

Peter Clarke, Politics as art, Sunday Programme, 3LO, 11 April 2004.

Bianca Hester, Between Actions: Working through Tom Nicholson’s Practice from the Multiple Middle, Drain, no. 3.

Megan Backhouse, New Map of the Human Art, The Age, 19 April 2004, Rvw pp. 6-7.

Janet Howie, Project pushes boundaries, Melbourne Yarra Leader, 5 April 2004, p. 15.

Robyn Phelan, Report on art action ‘Seven days’ by Tom Nicholson, North and West Melbourne News, June 2004, p. 10.

     2003

Blair French, Video Spell: Actions, exh. cat. Video Spells: Actions, Performance Space, Sydney, 2003.

Charlotte Day, Feedback, in Feedback: Art, Social Consciousness, and Resistance, exh.cat. Monash University Museum of Art, Melbourne, 2003.

After images (dialogue with Christian Capurro and M. Bullock), Meanjin, Winter 2003.

Angus Trumble, Action/Reaction, in Melancholia (Documents after five actions, Berlin), exh. cat. Gertrude Contemporary Art Spaces, Melbourne, 2003.

Robert Nelson, review of Feedback, The Age, 2 April 2003, Review p. 6.

Anna Clabburn, Text and tablets follow the script, The Australian, 3-4 May 2003, p. 21.

     2002

Martin Kleesman, Die Bernauer Strasse ist eine Ruinenlandschaft, Berliner Zeitung, 9 November 2002.

     2000

Robert Nelson, Digital forms speak language of the screen, The Age, 28 July 2000, review p. 4.

Charles Green, Your friends do not forget, in Critical Response, ex. cat. Ivan Dougherty Gallery, Sydney, 2000.

 

Selected Writing

 

     2013

Being Curated, Frieze Magazine, No. 154.

     2011

Forms for a public address (Melbourne: Surpllus, 2011); with Jan Svenungsson.

     2010

This conversation, in Bianca Hester: Please leave these windows open overnight to enable the fans to draw in cool air during the early hours of the morning, exh. Cat. (Melbourne: ACCA, 2010); with Terri Bird.

A conversation about art, monuments, memorials and war, in Fiona Jack: Memorial Halls (New Plymouth, NZ: Govett Brewster, 2010); with Fiona Jack and Sam Durant.

     2009

Pixels, shale, narratives, Dominic Redfern: Stonewall, exh. cat. (Perth: PICA, 2009).

     2007

Walks and transmissions, Artlink, special South issue, June 2007.

Blackboards, sounding boards, Beuys Steiner, exh cat., National Gallery of Victoria: Melbourne, 2007.

     2006

Raafat Ishak, in Linda Michael (ed.), 21st Century Modern, exh. Cat., Art Gallery of South Australia: Adelaide, 2006.

     2005

Remembering New Eternal Cities: Ricky Swallow’s Field Recording (Highland Park Hydra), in This Time Another Year, exh. cat. Australian Pavillion, Venice Biennale:Venice, 2005.

Upstairs, a Bike, a Horse, in Charlotte Day (ed.), A short ride in a fast machine, Black Ink Press: Melbourne, 2005.

     2004

West Space, east space, civic space, in Brett Jones (ed.), Form and Formation: West Space 1993-2003, 3 Deep Publishing: Melbourne, 2004, pp. 116-123.

     2002

Response, in Laylah Ali, exh. cat.: Indianapolis Museum of Art: Indianapolis, 2002; “Watching this space”, Meanjin, August 2002.

Haus Koebberling, in Berliner Kunst, vol. 1, no. 9, p. 24.

Writing about cutting, in Einschnitte/Incisions, ex. cat., Wilhelm Fabry Museum, Hilden, Germany, April 2002.

     2000

Cityscape Melbourne, Flash Art, vol. 33, no. 212, May-June 2000, p. 71.

22 Paragraphs after Action/Recollection, in Action/Recollection: Here the Body Is, ex. cat. West Space, 2000.

Review of Brent Harris: Swamp, Art/Text, 68, February-April 2000, p. 83.

     1999

Melbourne International Biennial, Art and Australia, December 1999, pp. 201-3.

Ricky Swallow, in Contempora5, ex. cat., National Gallery of Victoria, Melbourne, September 1999.

Archives After the Seventies and After, Artlink, vol. 19. no. 1, Aut.1999, pp. 63-65.

     1998

It’s Time: Everyday Language in the Biennale of Sydney, in Charles Green and Susan Best (eds.), In the Everyday: Critical and Theoretical Speculations on the 11th Biennale of Sydney, Sydney: Artspace Visual Arts Centre Ltd., 1998.

     1997

Leagues Under the Sea: Ricky Swallow, Like, Art Magazine, 4, Summer/Autumn 1997/98, pp. 15-19.

 

Selected Papers and Public Events

 

     2010

Actions towards imaginary monuments, as part of the Architecture + Philosophy series, chaired by Esther Anatolitis and Helene Frichot, RMIT School of Architecture, April 29; “Art in the city”, panel chaired by Dr Chris McAuliffe, Wheeler Centre for Books and Ideas, Melbourne, March.

Alternative Solutions for Living in the Global Environment and Economy, panel convened by Jon Bywater, Lecturer, Elam School of Fine Arts, University of Auckland, at the Auckland Art Gallery as part of Last ride in a hot air balloon. 4th Auckland Triennial, 14 March.

Monuments and actions, 7 October, Galleria Nova, Zagreb, Croatia.

     2009

Memory and imagination: Burke and Wills and Becker, as part of Archive/Counter- Archive, a conference jointly organised by the Contemporary Art and the Archive Research Group (CARGO), Monash University, and the Centre for Drawing, Wimbledon College of Art, University if the Arts London, at the Monash Centre, Prato, 2009.

     2008

Posters and meetings, as part if Drawn Encounters, Complex Identities, co-organised by The Faculty of Art & Design, Monash University, and the University of the Arts, London, 17-18 September, The British School, Rome.

Beuys and Explaining Pictures, Kuvataideakatemia, Helsinki, February 12.

Actions, images, traces, Kuvataideakatemia, Helsinki, February 13.

Collections and affiliations, as part of Out of Bounds, Art, Faith and Religiosity, 20-23 August, Faculty of Art & Design, Monash University, Melbourne.

     2007

Actions towards the image, as part of the off-site projects for Christian Capurro, Another Mis-spent Portrait of Etienne de Silhouette, Pensa con i sensi - Senti con la mente. L'arte al presente / Think with the Senses - Feel with the Mind. Art in the Present Tense, Biennale of Venice, 2007.

Actions and co-ordinations, as part of Uncertain Places, 15-16 September, conference at Manukau Institute of Technology, Auckland, New Zealand.

Transcriptions: Past tense, future tense, as part of the Transcription Symposium, 6 October, run by the Drawing Studio, Faculty of Art & Design, Monash University, Melbourne.

Drawings, lectures, posters, as part of the Beuys Steiner Symposium, 27 October, National Gallery of Victoria, Melbourne.

     2006

The co-ordinated action, Biennale of Sydney August Symposium, College of Fine Arts, University of New South Wales.

Actions, residues, memory, Crossing Horizons: Context and Community in the South, Santiago Gathering, The South Project, Museum of Contemporary Art, Santiago, October.

     2004

Actions and traces: Christian Capurro’s Another mis-spent portrait of Etienne de Silhouette as a drawing, Worksense, Melbourne, March 2004.

     2000

Political engagement with Asia through art, delivered at the Useby Forum, Centre for Contemporary Photography, Melbourne, 7 October 2000.

Drawing and political action, delivered at symposium Drawing: The Extended Field, 19 August 2000, Victorian College of the Arts, Melbourne.

     1997

Dead letters: photography and drawing in contemporary art, public lecture, National Gallery of Victoria, Melbourne, 1997.

 

Selected Grants & Awards

     2011

Artist-in-residency, Lenikus Collection, Vienna, 2012; Finalist, Melbourne Prize for Urban Sculpture.

New work grant, Australia Council.

     2010

Lygon Street Public Art Commission.

     2008

International Export and Touring Fund, Arts Victoria, 2009; Finalist, The Melbourne Prize for Urban Sculpture, 2008; New work grant, Australia Council.

     2007

Creative Fellow, State Library of Victoria.

     2005

Finalist, New Social Commentaries, Warrnambool Art Gallery, 2006; Finalist, The Melbourne Prize for Urban Sculpture.

     2003

Cultural activity grant, City of Melbourne.

     2000

International Export and Touring Fund, Arts Victoria, 2002; Foundation for Young Australians.

New Work grant, Australia Council.

 

Selected Collections

 

The National Gallery of Australia, Canberra. 

Australian War Memorial, Canberra.

National Gallery of Victoria, Melbourne.

Art Gallery of South Australia, Adelaide.

Art Gallery of Western Australia, Perth.

State Library of Victoria, Melbourne.

Monash University Museum of Art, Melbourne.

John McBride Collection.