Vernon Ah Kee
Vernon Ah Kee’s conceptual text pieces, videos, photographs and drawings form a critique of Australian culture from the perspective of the Aboriginal experience of contemporary life. Ah Kee’s works respond to the history of the romantic and exoticised portraiture of ‘primitives’, and effectively reposition the Aboriginal in Australia from an ‘othered thing’, anchored in museum and scientific records to a contemporary people inhabiting real and current spaces and time.
Ah Kee’s work has been exhibited in a number of significant national and international exhibitions, including ‘Revolutions: Forms that turn’, the 16th Biennale of Sydney (2008); ‘Once Removed’, Australian Pavilion, Venice Biennale (2009); ‘Ideas of Barack’, National Gallery of Victoria (2011); ‘Tall Man’, Gertrude Contemporary (2011); ‘Everything Falls Apart’, Artspace Sydney (2012); ‘unDisclosed’: 2nd National Indigenous Art Triennial’, National Gallery of Australia (2012); ‘My Country: I Still Call Australia Home’, Queensland Art Gallery/Gallery of Modern Art (2013); and ‘Sakahàn: International Indigenous Art’, National Gallery of Canada (2013).
In 2015, Ah Kee was invited by curator Carolyn Christov-Bakargiev to present a new body of work as part of ‘SALTWATER: A Theory of Thought Forms’, the 14th Istanbul Biennial and participated in a series of significant public programs as part of the opening weekend of the exhibition. Other recent exhibitions include ‘Imaginary Accord’, Institute of Modern Art, Brisbane (2015); ‘GOMA Q’, Queensland Art Gallery/Gallery of Modern Art, Brisbane (2015); ‘When Silence Falls’, Art Gallery of New South Wales (2015-16); ‘Encounters’, National Museum of Australia (2015-16); ‘Brutal Truths’, Griffith University Art Gallery (2015-16); and ‘Everywhen: The Eternal Present in Indigenous Art from Australia’, Harvard Art Museums (2016).