Exhibitions /
Gordon Bennett, Rosslynd Piggott, Gareth Sansom ‘Thin Skin’
Jul 20 – Sep 23, 2023Monash University Museum of Art
Installation view: Thin Skin, Monash University Museum of Art, Naarm/Melbourne, 2023. Photo: Christian Capurro1 / 6
2 / 6
(L-R) Jennifer Packer, Untitled 2017, private collection, London; Sidney Nolan, Kelly at the Mine 1946–47, Heide Museum of Modern Art, Naarm/Melbourne, purchased from John and Sunday Reed 1980; Gordon Bennett, Wound 1990, Monash University Collection, Naarm/Melbourne, purchased 1990. Installation view: Thin Skin, Monash University Museum of Art, Naarm/Melbourne, 2023. Photo: Christian Capurro3 / 6
(L-R) Michael Armitage, Sleight of Hand 2016, collection of Sang Il Kim, Seoul; Tom Kreisler, Lightness of Hand, Fleetness of Foot 1984, Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, purchased 2022; John Spiteri, Dis-solution 2006, courtesy of the artist and Sarah Cottier Gallery, Eora Country, in Sydney; Rosslynd Piggott, Ten Rimbauds Holding One Rimbaud 1986, Port Phillip City Collection, Naarm/Melbourne, purchased through St Kilda Festival Acquisitive Exhibition, City of St Kilda, 1986. Installation view: Thin Skin, Monash University Museum of Art, Naarm/Melbourne, 2023. Photo: Christian Capurro4 / 6
(L-R) Gareth Sansom, Big Punch 1982, Monash University Collection, Naarm/Melbourne, donated by Damen Eisen 1991; Mia Boe, Wongari Marat Marat (Dingo Spirit) 2023, Buxton International Collection, Naarm/Melbourne. Installation view: Thin Skin, Monash University Museum of Art, Naarm/Melbourne, 2023. Photo: Christian Capurro5 / 6
Installation view: Thin Skin, Monash University Museum of Art, Naarm/Melbourne, 2023. Photo: Christian Capurro6 / 6
