Daniel McKewen

A Rising Tide 2020-21, Three-channel synchronised 4K video with sound, infinite loop
Running Men 2008-14, 5 channel digital video, Infinite loop, 19th Biennale of Sydney, Carriageworks
Promissory Estoppel - IMA Belltower Facade Projection 2019, Custom architectural video projection, Infinite loop, IMA Belltower Façade
Judith Wright Centre of Contemporary Arts, 6 Nov 2019 – 8 Feb 2020. Videography: Charlie Hillhouse
This is our final century 2020-21, Coal, gesso and varnish on canvas, 83 x 182 cm
This is our final century; The future is our home too; Value, not worth 2021, Coal, gesso, and varnish on canvas, 83 x 182 cm each
Desiderata VII-XII 2020-2021, Coal on paper, 56 x 76 cm each
A Rising Tide 2020-21, Three-channel synchronised 4K video with sound, Infinite loop, 3D Artist: Guy Lobwein; Music: Adrian Mauro (machine age); Voice: Susan McGurl. Photo by Saul Steed
The bears have killed Goldilocks 2016, acrylic on linen, Installation documentation from ‘Strange Loops’, Firstdraft Gallery, Sydney, 2 March – 24 March 2016
Kuznets curve 2018, Mahogany, automotive paint, wall, 55 x 45 x 35 cm, Installation documentation from ‘Paper Empire’, Bus Projects, Melbourne, 6 – 30 June 2018
Every face on Vanity Fair’s Hollywood covers 1995-2008 2009 - 12, 2 channel HD digital video installation with 2.1 channel sound, Variable installation, infinite loop
Animal Spirits 2014, Four channel digital video, LCD screens, sound infinite loop
Untitled 2011, Single-channel HD digital video with sound, Infinite loop

Daniel McKewen is a Brisbane-based artist whose practice investigates the intersections of contemporary art, screen culture, economics, and politics.

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Off-site Exhibitions