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Milani Gallery

Wednesday - Saturday
11am - 5pm

270 Montague Rd
West End QLD 4101
Brisbane, Australia
+61 7 3846 6046

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  • Art & Language
  • Hoda Afshar
  • Vernon Ah Kee
  • Khadim Ali
  • Robert Andrew
  • Jean Barth
  • Richard Bell
  • Vivienne Binns
  • Anna Boghiguian
  • Peter Booth
  • Yuriyal Eric Bridgeman
  • Tania Bruguera
  • Christian Capurro
  • Eugene Carchesio
  • Jon Cattapan
  • Megan Cope
  • Sam Cranstoun
  • Aleks Danko
  • Bonita Ely
  • Ruha Fifita
  • Elizabeth Gower
  • Helga Groves
  • D Harding
  • Taloi Havini
  • Louise Hearman
  • Gordon Hookey
  • Natalya Hughes
  • Tim Johnson
  • Peter Kennedy
  • Ross Manning
  • Daniel McKewen
  • Tom Nicholson
  • Raquel Ormella
  • Rosslynd Piggott
  • Ryan Presley
  • Luke Roberts
  • Khaled Sabsabi
  • Gareth Sansom
  • Sandra Selig
  • Sancintya Mohini Simpson
  • Gemma Smith
  • Imants Tillers
  • Judy Watson
  • Warraba Weatherall
  • Tintin Wulia
  • Jemima Wyman

Estate Artists

  • Gordon Bennett
  • Ian Burn
  • Robert Hunter
  • Nigel Lendon
  • Madonna Staunton
  • <span class="artist">Art &amp; Language</span><span class="title"> A Shadow on the Tongue XIV (detail)</span><span class="year"> 2019</span>, <span class="medium">Indian ink over text on Teslin</span>, <span class="dimen dimen-notes">20 AC pages assembled in a 5 x 4 format, 168 x 148 cm (overall)</span>
    Art & Language
  • <span class="artist">Hoda Afshar</span><span class="title"> Untitled #10 from Speak the Wind series</span><span class="year"> 2020</span>, <span class="medium">Archival pigment print</span>, <span class="dimen dimen-notes">Large Edition: 91 x 112 cm</span>
    Hoda Afshar
  • <span class="artist">Vernon Ah Kee</span><span class="title"> yourduty</span><span class="year"> 2016</span>, <span class="medium">Acrylic on canvas</span>, <span class="dimen">120 x 177 cm</span>
    Vernon Ah Kee
  • <span class="artist">Khadim Ali</span><span class="title"> Standing Flames</span><span class="year"> 2019</span>, <span class="medium">Acrylic, industrial paints, Dutch metal gold leaves on MDF</span>, <span class="dimen dimen-notes">1785 x 539 cm</span>, <span class="notes">Installation view: Sharjah Biennial 14: ‘Leaving the Echo<br />
Chamber’. Commissioned by Sharjah Art Foundation. Courtesy of the artist, Sharjah Art Foundation and Milani Gallery.</span>
    Khadim Ali
  • <span class="artist">Robert Andrew</span><span class="title"> A Connective Reveal—Language</span><span class="year"> 2019</span>, <span class="medium">Ochre, oxides, chalk, aluminium, and electromechanical components</span>, <span class="dimen">280 x 500 x 60 cm</span>, <span class="notes">Exhibition: &#039;The National&#039; 2019, Art Gallery of New South Wales. Photograph: Diana Panuccio</span>
    Robert Andrew
  • Jean Barth
  • <span class="artist">Richard Bell</span><span class="title"> Embassy</span><span class="year"> 2013-ongoing</span>, <span class="medium">Canvas tent with annex, aluminium frame, rope, synthetic polymer paint on board, digital video, colour, sound; archive</span>, <span class="dimen dimen-notes">Dimensions variable</span>, <span class="notes">Installation view Biennale of Sydney, MCA Australia</span>
    Richard Bell
  • <span class="artist">Gordon Bennett</span><span class="title"> Notes to Basquiat (Death of Irony)</span><span class="year"> 2002</span>, <span class="medium">Acrylic on linen</span>
    Gordon Bennett
  • <span class="artist">Vivienne Binns</span><span class="title"> Fig and tiles</span><span class="year"> 2019</span>, <span class="medium">Acrylic on canvas</span>, <span class="dimen">130 x 165 cm</span>
    Vivienne Binns
  • <span class="artist">Anna Boghiguian</span><span class="title"> The Chess Game</span><span class="year"> 2022</span>, <span class="medium">Drawings on cardboard, wood, acrylic panels</span>, <span class="notes">Exhibition view, first floor, Kunsthaus Bregenz, 2022. Photo: Markus Tretter</span>
    Anna Boghiguian
  • <span class="artist">Peter Booth</span><span class="title"> Painting (road broken trees in rain)</span><span class="year"> 2012</span>, <span class="medium">Oil on linen</span>, <span class="dimen">77 x 153 cm</span>
    Peter Booth
  • Yuriyal Eric Bridgeman
  • <span class="artist">Tania Bruguera</span><span class="title"> Untitled (Havana, 2000)</span><span class="year"> 2000</span>, <span class="medium">Video performance and installation</span>, <span class="dimen">400 x 1200 x 5000 cm</span>, <span class="notes">Image courtesy of Estudio Bruguera.</span>
    Tania Bruguera
  • <span class="artist">Ian Burn</span><span class="title"> Re-ordered Painting No. 2</span><span class="year"> 1965</span>, <span class="medium">Acrylic on canvas</span>, <span class="dimen">42 x 56 cm</span>
    Ian Burn
  • <span class="artist">Christian Capurro</span><span class="title"> Installation view of &#039;SLAVE&#039;</span><span class="year"> 2014</span>, <span class="notes">Australian Centre for Contemporary Art</span>
    Christian Capurro
  • <span class="artist">Eugene Carchesio</span><span class="title"> Mystics and Prophets</span><span class="year"> 2008</span>, <span class="medium">Matchboxes</span>, <span class="dimen dimen-notes">variable</span>
    Eugene Carchesio
  • <span class="artist">Jon Cattapan</span><span class="title"> Absence Field (Pink Rain)</span><span class="year"> 2020</span>, <span class="medium">Oil and acrylic on linen</span>, <span class="dimen">250 x 366 cm</span>
    Jon Cattapan
  • <span class="artist">Megan Cope</span><span class="title"> Untitled (Death Song)</span><span class="year"> 2020</span>, <span class="medium">Instruments made of repurposed soil augers, oil drums, violin, cello, bass, guitar, piano strings and rocks from South Australia Geological Museum; site-specific natural debris from local environment; sound by Isha Ram Das.</span>, <span class="dimen dimen-notes">Dimensions variable</span>, <span class="notes">Installation view: UNSW Galleries, Sydney. Photograph: Zan Wimberley</span>
    Megan Cope
  • <span class="artist">Sam Cranstoun</span><span class="title"> Architecture in Transition (detail)</span><span class="year"> 2019</span>, <span class="medium">Pencil on paper</span>, <span class="dimen">153 x 102 cm</span>
    Sam Cranstoun
  • <span class="artist">Aleks Danko</span><span class="title"> DAY IN DAY OUT (second version)</span><span class="year"> 1991</span>, <span class="medium">Cast aluminium, theatre light on metal support</span>, <span class="notes">Installation view, Museum of Contemporary Art Australia. Photograph by Jessica Maurer</span>
    Aleks Danko
  • <span class="artist">Bonita Ely</span><span class="title"> C. 20th Mythological Beasts: At Home With the Locust People (detail)</span><span class="year"> 1975</span>, <span class="medium">Mixed media, video</span>, <span class="dimen dimen-notes">Dimensions variable</span>
    Bonita Ely
  • Ruha Fifita
  • <span class="artist">Elizabeth Gower</span><span class="title"> Monochrome Compilation</span><span class="year"> 2018</span>, <span class="medium">Paper drafting film</span>, <span class="dimen">84 x 2100 cm</span>
    Elizabeth Gower
  • <span class="title"> Lithification Series #3</span><span class="year"> 2021</span>, <span class="medium">iridescent oil paint, metallic pigments and medium on linen</span>, <span class="dimen">120 x 120 cm</span>
    Helga Groves
  • <span class="artist">D Harding</span><span class="title"> Installation view</span><span class="year"> 2024</span>
    D Harding
  • Taloi Havini
  • <span class="artist">Louise Hearman</span><span class="title"> Untitled #1222</span><span class="year"> 2007</span>, <span class="medium">Oil on masonite</span>, <span class="dimen">61 x 84 cm</span>
    Louise Hearman
  • <span class="artist">Gordon Hookey</span><span class="title"> Blood on the wattle, blood on the palm</span><span class="year"> 2009</span>, <span class="medium">Oil on linen</span>, <span class="dimen dimen-notes">285 x 500 cm</span>
    Gordon Hookey
  • <span class="artist">Natalya Hughes</span><span class="title"> Two Women IV</span><span class="year"> 2020</span>, <span class="medium">Acrylic on poly</span>, <span class="dimen">40 x 50 cm</span>
    Natalya Hughes
  • Robert Hunter
  • <span class="artist">Tim Johnson</span><span class="title"> Light performances 1971-2</span>, <span class="medium">Digital print documentation</span>, <span class="dimen dimen-notes">(printed 200)</span>, <span class="notes">Inhibodress, Sydney</span>
    Tim Johnson
  • <span class="artist">Peter Kennedy</span><span class="title"> Snare</span><span class="year"> 1972</span>, <span class="medium">Snare drum, side drum, chair, amplifier, tape deck, speakers, drumsticks, three photographs</span>, <span class="dimen dimen-notes">Overall 300 x 120 x 80 cm approx. (variable)</span>
    Peter Kennedy
  • <span class="artist">Nigel Lendon</span><span class="title"> 2015:10, &quot;Model: Tesseract&quot;</span><span class="year"> 2015</span>, <span class="medium">Acrylic on PR.</span>, <span class="dimen dimen-notes">13 variants of 2013:9; 12.6 x 14.8 x 29.8 cm each, wall plinth: 200.4 x 27.2 x 57.2 cm</span>
    Nigel Lendon
  • <span class="artist">Ross Manning</span><span class="title"> Ambient Painting (Diagonal)</span><span class="year"> 2021</span>, <span class="medium">Acrylic, stainless steel and dichroic glass on canvas</span>, <span class="dimen">180 x 240 cm</span>
    Ross Manning
  • <span class="artist">Daniel McKewen</span><span class="title"> Running Men</span><span class="year"> 2008-14</span>, <span class="medium">5 channel digital video</span>, <span class="dimen dimen-notes">Infinite loop</span>, <span class="notes">19th Biennale of Sydney, Carriageworks</span>
    Daniel McKewen
  • <span class="artist">Tom Nicholson</span><span class="title"> Comparative monument (Shallal)</span><span class="year"> 2014-17</span>, <span class="medium">Glass tesserae mosaics, wooden boxes, dimensions variable, and two-channel video.</span>, <span class="notes">Mosaics created with the Mosaic Centre, Jericho, with mosaicists Rafat Al Khatib and Renan Barham, and project management with Osama Hamdan and Iyad Jammed. Artist assistant on mosaic cartoons: Jamie O’Connell. Video camera: Issa Freij, Christian Capurro, Tom Nicholson. Video editing: with Alex Archer. Video graphic: Mark Peters. Translation: Ameen Darwish, Yumi Maes, Reem Jaber, and Rasha Tayeh. Drivers: Walid Ghousheh and Karem Ghousheh. With the generous support and engagement from Al Ma’mal Foundation for Contemporary Art.</span>
    Tom Nicholson
  • <span class="artist">Raquel Ormella</span><span class="title"> Problematic Fragments #2 (Deakin)</span><span class="year"> 2019</span>, <span class="medium">Re-worked nylon flag</span>, <span class="dimen dimen-notes">150 x 260 cm</span>
    Raquel Ormella
  • Rosslynd Piggott
  • <span class="artist">Ryan Presley</span><span class="title"> (Detail) THE DUNES (How good is Australia)</span><span class="year"> 2021</span>, <span class="medium">oil, synethetic polymer paint and 23k gold leaf on poly-cotton</span>, <span class="dimen dimen-notes">364 x 152</span>
    Ryan Presley
  • <span class="artist">Luke Roberts</span><span class="title"> Pope Alice, Island series</span><span class="year"> 2015</span>, <span class="notes">Performers Lisa Iselin and Jonas Nutter<br />
Camera: Alec Schultz<br />
Copyright Pope Alice Xorporation/Luke Robert</span>
    Luke Roberts
  • <span class="artist">Khaled Sabsabi</span><span class="title"> Mush</span><span class="year"> 2012</span>, <span class="medium">5 channel HD video sculpture installation, audio, wood, wire, aluminium and paint.</span>, <span class="dimen dimen-notes">Duration: 03:30 mins</span>, <span class="notes">Photo by Document Photography</span>
    Khaled Sabsabi
  • <span class="artist">Gareth Sansom</span><span class="title"> A prophet&#039;s delicate dilemma</span><span class="year"> 2023</span>, <span class="medium">Oil and enamel on linen</span>, <span class="dimen">183 x 244 cm</span>
    Gareth Sansom
  • <span class="artist">Sandra Selig</span><span class="title"> Returning eye (detail)</span><span class="year"> 2020</span>, <span class="medium">Salt on hot rolled steel</span>, <span class="dimen">415 x 415 cm</span>
    Sandra Selig
  • <span class="artist">Sancintya Mohini Simpson</span><span class="title"> Natal 2</span><span class="year"> 2018</span>, <span class="medium">Watercolour and gouache on handmade wasli paper</span>, <span class="dimen">63 x 88 cm</span>
    Sancintya Mohini Simpson
  • Gemma Smith
  • <span class="artist">Madonna Staunton</span><span class="title"> Romantic doubt</span><span class="year"> 2004</span>, <span class="medium">Painted wood, wood, metal, synthetic polymer paint, ink and glue on composition board</span>, <span class="dimen dimen-notes">3 units: 61 x 61 x 16.5 cm; 61.5 x 61.4 x 11 cm; 62 x 66 x 22 cm (irreg.)</span>
    Madonna Staunton
  • <span class="artist">Imants Tillers</span><span class="title"> Towards The Shining Light</span><span class="year"> 1989</span>, <span class="medium">Charcoal, pencil on 110 canvasboards, nos. 21467–21576</span>, <span class="dimen">279 x 381 cm</span>
    Imants Tillers
  • Judy Watson
  • Warraba Weatherall
  • <span class="artist">Tintin Wulia</span><span class="title"> A Thousand and One Martian Nights (still)</span><span class="year"> 2017</span>, <span class="medium">Single-channel video projection, surveillance camera, telematic structure, screening room</span>, <span class="dimen dimen-notes">38:01 min, dimensions variable</span>
    Tintin Wulia
  • Jemima Wyman
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