Natalya Hughes is a Brisbane based artist whose practice is concerned with decorative and ornamental traditions and their associations with the feminine, the body and excess.
Natalya Hughes














Recent bodies of work investigate the relationship between Modernist painters and their anonymous women subjects. Hughes completed a Bachelor of Visual Arts at the Queensland University of Technology, Brisbane in 2001 and a PhD in Art Theory at the College of Fine Art (UNSW) in 2009.
She currently lectures in Fine Art and Expanded Practice at the Queensland College of Art, Brisbane.
Hughes has exhibited her work at numerous museums and institutions including Queensland Art Gallery|Gallery of Modern Art (2019, 2017 and 2012), QUT Art Museum Brisbane (2016), Artspace Sydney (2016), Hazelhurst Regional Gallery (2015), Performance Space (2012), Parliament House Canberra (2014), UQ Art Museum, Brisbane (2010), Ian Potter Museum of Art, Melbourne (2009) and Tarrawarra Museum of Art, VIC (2006).
Hughes was a finalist in both the Sulman Prize at Art Gallery of NSW and the National Works on Paper Prize at Mornington Peninsula Regional Gallery in 2018, as well as the 2017 Ramsay Art Prize at Art Gallery of South Australia.
Natalya Hughes is represented by Milani Gallery, Brisbane and Sullivan + Strumpf, Sydney.
Education
2009
- PhD Art Theory/ Art History and Fine Arts, College of Fine Arts, UNSW, Sydney.
2001
- Bachelor of Arts, Visual Arts, Honours (1st Class), QUT, Brisbane.
Selected Solo Exhibitions
2025
- The Future was Femme, Milani Gallery, Brisbane
2024
- Ermyntude and Esmerelda, National Gallery of Victoria, Melbourne.
2023
- The Interior (touring), Logan Art Gallery, Queensland; Warwick Art Gallery, Queensland
- The Artist's Hands, Milani Gallery, Brisbane
- The Castle of Tarragindi, Children’s Art Centre, QAGOMA
2022
- The Interior, Institute of Modern Art, Brisbane
2020
- Maybe I was painting the woman in me, Milani Gallery, Brisbane
- The Landscape is in the Woman, Sullivan + Strumpf, Sydney
2016
- All of Your Women and Some of Mine, Milani Gallery, Brisbane
- Woody, The Garage ARI, Canberra
2015
- girls girls girls, Firstdraft, Sydney
2014
- Looking Thrice, Milani Gallery, Brisbane
2013
- Looking Full, Beam Contemporary, Melbourne
2012
- Significant Men, Milani Gallery, Brisbane, Australia.
2011
- Party Pooper, DB Projects, Sydney, Australia.
2010
- There Is Something Missing From Your Magic Realism, Beam Contemporary, Melbourne.
- Totem Totem, Milani Gallery, Brisbane.
- Floppy, Substation Gallery, Singapore
2008
- Back and Forth, Milani Gallery, Brisbane.
2006
- Little Birds, Neon Parc, Melbourne.
Selected Group Exhibitions
2025
- Confronting Femininity, Institute of Modern Art, Brisbane
- Diamantina X Art Collective, QCAD Galleries, Brisbane
2022
- Archibald, Wynne and Sulman Prizes 2022, Art Gallery of New South Wales, Sydney
- Zombie Eaters, Murray Art Museum Albury, NSW
2021
- Know My Name: Australian Woman Artists 1900 to Now, National Gallery of Australia, Canberra
2019
- New Woman, Museum of Brisbane, Brisbane
- Sunshine Coast Art Prize, Caloundra Regional Gallery, Caloundra, Queensland
2018
- Archibald, Wynne and Sulman Prizes, Art Gallery of New South Wales, Sydney
2015
- Patternation, Hazelhurst Regional Gallery, Sutherland, NSW
- Quarternary, QUT Art Museum, Brisbane
- An Imprecise Science, Artspace, Sydney
2014
- Office Work, Parliament House, Canberra, Australia
- I Miss You More When it Rains, Dog Park Project Space, Christchurch, New Zealand
2013
- December Letters, Orgy Park, Bushwick, NY, USA
- Speak to Me, Sullivan + Strumf, Sydney
2012
- ANIMAL/HUMAN, UQ Art Museum, Brisbane.
- Contemporary Australia: Women, Queensland Gallery of Modern Art, Brisbane.
2011
- The James Souris Collection, Queensland Gallery of Modern Art, Brisbane.
- New Psychadelia, UQ Art Museum, Brisbane.
2010
- Painting Group, Utopian Slumps, Melbourne.
- Zen to Kawaii: The Japanese Effect, QUT Art Museum, Brisbane.
2009
- The Shilo Project, Ian Potter Museum of Art, Melbourne.
- Creative Australia and the Ballet Russes, Victorian Arts Centre, Melbourne.
2008
- New, UQ Art Museum, Brisbane.
- Neo Goth, UQ Art Museum, Brisbane.
2007
- Too Near Too Far, Care/ Of Contemporary Art Space, Milan, Italy.
2006
- Parallel Lives: TarraWarra Painting Biennale, TarraWarra Museum of Art, Victoria.
2005
- Prime: New Art from Queensland, Queensland Art Gallery, Brisbane.
- Object/Subject, Museum of Brisbane, Brisbane.
2004
- A Cut Across, Plimsoll Gallery, University of TAS, Hobart, Australia.
- The Australian Drawing Biennale, ANU Drill Hall, Canberra, Australia.
- 2004: Australian Culture Now, National Gallery of Victoria, Melbourne.
2003
- Costume and Memory: Natalya Hughes & Elizabeth Lamont, QUT Art Museum, Brisbane.
Awards & Prizes
2023
- FLOW, National Contemporary Watercolour Prize, Wollongong Art Gallery, New South Wales
- Finalist, Brisbane Portrait Prize.
- Finalist, Ravenswood Art Prize.
- Finalist, Sir John Sulman Prize, AGNSW
2022
- Sir John Sulman Prize, Art Gallery of New South Wales (finalist)
2021
- Michaela and Adrian Fini Fellowship, The Sheila Foundation
- Michela and Adrian Fini Fellowship
2019
- Finalist, Sunshine Coast Art Prize, Caloundra Regional Gallery, Caloundra, Queensland
- Open Studio Residency, QAGOMA
2018
- Finalist, Sir John Sulman Prize, Art Gallery of New South Wales, Sydney
2010
- Arts Victoria International Program: Export and Touring Grant.
2009
- Art Incubator and GCAS Art Residency, Singapore
- Finalist, ABN Amro Art Award.
2007
- Finalist, ABN Amro Art Award.
2006
- Gertrude Contemporary Art Space Studio Residency
2004-07
- Australian Postgraduate Award
2004
- Shortlisted, John McCaughey Memorial Prize, National Gallery of Victoria, Melbourne
2002
- Melville Haysom Scholarship and Residency, Queensland Art Gallery, Brisbane.
- MetroArts Residency, MetroArts, Brisbane.
Studios & Residencies
2019
- Open Studio, Queensland Art Gallery | Gallery of Modern Art, Brisbane
Bibliography
2025
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Bettes, Kate, “Artist Natalya Hughes Finds a Subversive Beauty in Patterns”, Qantas Travel Insider Magazine, March 2025.
2024
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Hawker, Rosemary, “Natalya Hughes: An Entertainment”, Sullivan+Strumpf Magazine, October 2024.
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Dimitroff, Cassandra, “Natalya Hughes on her love affair with textiles, being MECCA’s 2024 Holiday Artist and her latest exhibition An Entertainment”, Russh, 31 October 2024.
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Duffy, Alex, “MECCA’s 2024 Holiday Artist, Natalya Hughes, on the significance of curiosity”, Harper’s Bazaar, 8 October 2024.
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O’Sullivan, Jane, “A compact but rewarding monograph that delves inside Natalya Hughes’ layered practice”, Art Guide Australia, 7 October 2024.
2023
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Royal, Autumn, “Natalya Hughes is claiming a space for women in male-dominated art history”, Art Guide Australia, 2023.
2022
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Borich, Chloe, “At Home: Natalya Hughes”, Sullivan+Strumpf Magazine, June/July 2022.
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English, Alexandra, “An artist and academic on whether you can separate the art from the problematic artist”, Harper’s Bazaar, 30 September 2022.
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McFayden, Erin, “Natalya Hughes”, Artist Profile, 23 September 2022.
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Pirovic, Jasmine, “Natalya Hughes speaks about her Freud-inspired solo show at the Institute of Modern Art”, Russh, 1 September 2022.
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Francis, Kirsty, “Artist interview: Natalya Hughes”, A Rich Life, 12 August 2022.
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Pearce, Tulleah (ed.), The Interior, Institute of Modern Art, 2022.
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O’Sullivan, Jane, “A compact but rewarding monograph that delves inside Natalya Hughes’s layered practice”, Art Guide Australia, 2022.
2021
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Middleton, Charlotte, “Natalya Hughes Wins Michela and Adrian Fini Artist Fellowship”, Art Collector, 7 December 2021.
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Ross, Toni, “Natalya Hughes, Sullivan and Strumpf Gallery”, Artforum, Jan/Feb 2021.
2020
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Ewington, Julie, “Natalya Hughes: Three Thoughts on Ambivalence”, Sullivan+Strumpf Magazine, August 2020.
2012
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Harrington, Zoe & Hughes, Natalya, “Interview”, Sculpture and the Enemies, Issue 2, Big Owl Publishing, 2012.
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Moody, Sebastien, “Psychedelia Now”, Art & Australia, Vol. 49, No. 4, Winter 2012.
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Richards, Bree, “Natalya Hughes”, Contemporary Australia: Women, QAGOMA, 2012.
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Stein, Amelia, “Women of Substance”, Vogue Australia, May 2012.
2011
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Richards, Bree, “Emerging Artists: The Current Crop”, Ten Years of Contemporary Art: The James Souris Collection, QAGOMA, 2011.
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Badiou, Alain, The Rational Kernel of the Hegelian Dialectic, Re.Press, 2011.
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The Lifted Brow, No. 10, 2010–2011 (cover image).
2010
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Rainbird, Stephen, “Natalya Hughes”, A Generosity of Spirit: Recent Australian Women’s Art from the QUT Art Collection, QUT Art Museum, 2010.
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Souris, James C., The James C. Souris Collection: Selected Works, Brisbane Club Collector’s Series, 2010.
2009
- Tonkin, Steven, “In the Wings”, Creative Australia and the Ballet Russes, Victorian Arts Centre Trust, 2009.
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Ash, Romy, “Drawn Together”, Frankie Magazine, No. 27, Jan–Feb 2009.
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RBS Emerging Artist Award, exhibition catalogue, 2009.
2008
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Hickey, Gary, “Natalya Hughes: A Pernicious Beauty”, UQ Art Museum, 2008.
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Goddard, Angela, “Artist Profile: Natalya Hughes”, Artichoke, No. 25, 2008.
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Modra, Penny, “In the Wings”, The Age, 28 June 2008.
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Neo Goth: Back in Black, UQ Art Museum, 2008.
2007
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Hibberd, Lily, The Punctiform Arabesque, Gertrude Contemporary Art Space, 2007.
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Badiou, Alain, Concept of the Model: An Introduction to the Materialist Epistemology of Mathematics, Re.Press, 2007.
2006
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Crawford, Ashley, “Parallel Lives: Australian Painting Today”, Art & Australia, Vol. 44, No. 2, 2006.
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Crawford, Ashley, “Kids Stay Free”, The Age, 16 April 2006.
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TarraWarra Museum of Art, Parallel Lives: Australian Painting Today, 2006.
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“Dude, Where’s my Art?”, Australian Art Collector, No. 38, 2006.
2005
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Angeloro, Dominique, “Beautiful one day, perverse the next”, Sydney Morning Herald, 19 August 2005.
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Jones, Simone, “Prime 2005: New Art from Queensland”, Eyeline Magazine, No. 58, 2005.
2004
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Brand, S. & Cuyler, Amanda, Summer, Brand and Cuyler, 2004.
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Helmrich, Michelle, “Natalya Hughes: Rewriting Seduction”, 2004 Australian Drawing Biennale Catalogue, Drill Hall Gallery, 2004.
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Gellatly, Kelly, “Fast-Forward Painting”, 2004: Australian Culture Now, NGV & ACMI, 2004.
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Keating, Megan, A Cut Across, Plimsoll Gallery, University of Tasmania, 2004.
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MacDonald, Fiona, “I work for cover, just like you…”, Eyeline Magazine, No. 55, 2004.
2003
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Morrel, Timothy, “Smart Art: Natalya Hughes”, Australian Art Collector, No. 26, 2003.
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Gobe, Claire, “Other Paintings: Natalya Hughes”, Eyeline Magazine, No. 52, 2003.
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Butler, Rex, “Ready for the New Wave”, Courier Mail, 27 September 2003.
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“50 Most Collectible Artists”, Australian Art Collector, No. 23, 2003.
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“New Purchases”, Artbank, Issue 7, 2003.
Collections
- Queensland Art Gallery
- UQ Art Museum
- QUT Art Museum
- Art Bank Australia
- VariousCorporate and private collections.
Other
2001 - 05
- Co-founder and contributor to Local Art, a print and online publication.








