Anna Boghiguian

Installation view of 'A Short History: How the Industrial Revolution Changed the Pace of Europe’ 2020, S.M.A.K. Image: Dirk Pauwels Courtesy of the artist.
Time of Change 2022, Exhibition view, 2nd floor, Kunsthaus Bregenz, 2022. Photo: Markus Tretter
The Uprooted. Installation view for the 22nd Biennale of Sydney (2020), Cockatoo Island. 2020, Commissioned by the Biennale of Sydney with assistance from the Council for Australia-Arab Relations of the Department of Foreign Affairs and Trade. Supported by Monash Architecture, Design and Art, Monash University, Melbourne. Courtesy the artist. Photograph: Zan Wimberley.
Anna Boghiguian – Understanding Places, Tate (video) 2019, Discover the first UK retrospective of the Egyptian-Canadian artist of Armenian origin, Anna Boghiguian, at Tate St Ives.
The Chess Game 2022, Drawings on cardboard, wood, acrylic panels, Exhibition view, first floor, Kunsthaus Bregenz, 2022. Photo: Markus Tretter
drawing from the series Time of Change 2022, Photo: Markus Tretter
Installation view of 'A Short History: How the Industrial Revolution Changed the Pace of Europe’ 2020, S.M.A.K. Image: Dirk Pauwels Courtesy of the artist.
The Uprooted. Installation video for the 22nd Biennale of Sydney, Cockatoo Island. 2020, Commissioned by the Biennale of Sydney with assistance from the Council for Australia-Arab Relations of the Department of Foreign Affairs and Trade. Supported by Monash Architecture, Design and Art, Monash University, Melbourne. Courtesy the artist. Photograph: Zan Wimberley.
Installation view of 'A Short History: How the Industrial Revolution Changed the Pace of Europe’ 2020, S.M.A.K. Image: Dirk Pauwels Courtesy of the artist.
Woven Winds: The Making of an Economy - costly commodities 2016
Installation view of 'A Short History: How the Industrial Revolution Changed the Pace of Europe’ 2020, S.M.A.K. Image: Dirk Pauwels Courtesy of the artist.
Installation view of 'Promenade dans l’inconscient (A Walk in the Unconscious)'at Tate St Ives. 2019, Courtesy of the artist. Photograph by Renato Ghiazza.
Installation view of 'The People's People' at Sfeir-Semler Gallery, Hamburg, Courtesy of the artist and Sfeir-Semler Gallery, Hamburg/Beirut.
Photo by Volker Renner
Installation view of 'A Tin Drum That Has Forgotten its Own Rhythm' at Tate St Ives. 2019, Courtesy of the artist. Photography from Ian Kingsnorth
Woven Winds: The Making of an Economy - costly commodities 2016

Across multiple media, Anna Boghiguian presents sensory and psychological impressions with a brazen, and often crude, style that reveals a critical eye and active imagination.

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