Ian Burn was born in Geelong, Victoria in 1939 and lived and worked in Sydney, New South Wales. Burn was a widely exhibited, influential and pioneering conceptual artist, writer and curator.
Ian Burn
In 1965, Burn moved to London where he began to consider the role that language plays in art. In London, Burn completed a series of minimal and abstract geometric paintings that precipitated his next steps in his art practice. Two years later, Burn had moved to New York where he worked at the centre of the early Conceptual art movement and was described as “the only Australian ever to be central to an internationally significant art movement.” It was in New York that Burn began to work with Art & Language, a collaborative artist group whose members included Joseph Kosuth, Mel Ramsden and Roger Cutforth. Prior to leaving Australia, Burn had developed a practice as an Australian landscape painter – an influence that pervaded his later works, albeit tempered by his decade-long experience at the forefront of conceptual art. In 1977, Burn returned to Australia where he became involved in the Art Workers Union, which championed the rights of artists and advocated for the improvement of the conditions and expectations that Australian artists work under. In the late 1980s, he came back to painting and produced a number of iconic series, prior to his untimely death in 1993.
Burn’s work has been exhibited extensively both nationally and internationally. Key exhibitions include ‘The Field’, National Gallery of Victoria, Melbourne in 1968; ‘1968’, National Gallery of Australia, Canberra in 1995; and ‘Artists Think: The Late Works of Ian Burn’, Museum of Contemporary Art, Sydney in 1996. In 2015, Milani Gallery, Brisbane presented an exhibition of his abstract work from his time in London between 1965 to 1967.
Working collaboratively with Mel Ramsden or as Art & Language, Burn also contributed to exhibitions such as ‘Information’, Museum of Modern Art, New York in 1970; ‘Documenta 5’, Kassel, Germany in 1972; ‘Words: a look at the use of language in art 1967–1977’, Whitney Museum, New York in 1977; amongst many others.
Burn’s work is held in the collections of the Museum of Modern Art, New York; Musee d’Art Moderne de Saint-Etienne, France; National Gallery of Australia, Canberra; National Gallery of Victoria, Melbourne; Art Gallery of New South Wales, Sydney; Art Gallery of Western Australia, Perth; Queensland Art Gallery / Gallery of Modern Art, Brisbane; Museum of Contemporary Art, Sydney; and Monash University Museum of Art, Melbourne.
Born 1939, Geelong, Victoria. Lived and worked in Sydney, New South Wales.
Recipient of 2018 MCA and Tate International Joint Acquisition Program for contemporary Australian Art.
Selected Exhibitions
2024
- A Landscape is Not Something You Look At, Milani Gallery, Brisbane
2023
- Ian Burn, Musée d'art Moderne et Contemporain, Geneva
2021
- On Earth, Queensland University of Technology Art Museum, Brisbane
2018
- Systematically Altered Photographs, Milani Gallery, Brisbane
- In site: Process, Performance, Documentation, University of Queensland Art Museum, Brisbane
- The Field Revisited, National Gallery of Victoria, Melbourne
- Painting Amongst Other Things, Australian National Capital Artists Gallery, Canberra
2017
- Less than, Queensland University of Technology Art Museum, Brisbane
2016
- Sugar Spin: You, me, art and everything, Queensland Art Gallery/Gallery of Modern Art
- A Device for Measuring, Milani Gallery, Brisbane
- 1969: The Blackbox of Conceptual Art, Margaret Lawrence Gallery, Melbourne
- Conceptual Art in Britain 1964–1979, Tate Britain, London
2015
- Propositions Part Three, Milani Gallery, Brisbane
- 1969: The Blackbox of Conceptual Art, Queensland University of Technology Art Museum, Brisbane
- London Works, Milani Gallery, Brisbane
- Hotel Theory, REDCAT, Los Angeles
- Writing Art, Artspace, Sydney
2014-2015
- Remain in Light: Photography from the Collections, Museum of Contemporary Art touring exhibition, Ipswich Art
- Gallery, Ipswich; Western Plains Cultural Centre, Dubbo; Maitland Regional Art Gallery, Maitland; Bendigo Art
- Gallery, Bendigo; Artspace Mackay, Mackay; and Hawkesbury Regional Gallery, Windsor
2013
- Xerography, Firstsite, Colchester, Essex
- Reinventing the Wheel: The Readymade Century, Monash University Museum of Art
- NEW 2013, University of Queensland Art Museum, Brisbane
- 1969: The Black Box of Conceptual Art, University of Sydney Art Museum, Sydney
- Born to Concrete, University of Queensland Art Museum, Brisbane
- Minimal/Conceptual, Milani Gallery, Brisbane
2012
- Propositions, Milani Gallery, Brisbane
- Materialising ‘Six Years’: Lucy R. Leppard and the Emergence of Conceptual Art, Brooklyn Museum, New York
- Less is More: Minimal and Post-minimal art in Australia, Heide Museum of Modern Art, Melbourne
- Volume One: MCA Collection, Museum of Contemporary Art, Sydney
- Dissonant Visions, Monash University Museum of Art, Melbourne
2010
- Change, Monash University Museum of Art, Melbourne
- 100 Years: Highlights from the University of Queensland Art Collection, University of Queensland Art Museum, Brisbane
- Cubism & Australian Art, Heide Museum of Modern Art, Melbourne
2009
- Mirror Mirror: Then and now, Institute of Modern Art, Brisbane
2006
- Multiplicity: Prints and Multiples from the Collections of the Museum of Contemporary Art and the University of Wollongong, Museum of Contemporary Art, Sydney
- Wild Thang: Post-Pop from the Museum of Contemporary Art, Albury Regional Art Gallery, Albury
- The Second Hand, Bellas Milani Gallery, Brisbane
2005
- 1967: Selected works from the MCA Collection, Museum of Contemporary Art, Sydney
2002
- Office Display, Museum of Contemporary Art, Sydney
1999
- MCA Collection: Violent Landscapes, Museum of Contemporary Art, Sydney
1995-96
- 1965–75: reconsidering the object of art, The Museum of Contemporary Art, Los Angeles
- A blast from the past, Geelong Art Gallery, Geelong
1995
- Perspecta, Art Gallery of New South Wales, Sydney
- 1968, National Gallery of Australia, Canberra
1993
- Donation Vicky Remy I, une idee of l’art dans les années 70, la rigueur et la rupture, Musee d’Art Moderne de Saint-Etienne, France
- Out of sight, out of mind, Lisson Gallery, London
- Looking at seeing and reading, Ivan Dougherty Gallery, Sydney; Institute of Modern Art, Brisbane; and Australian Centre for Contemporary Art, Melbourne
- Collaborations, Sutton Gallery, Melbourne
- A different view, Queensland regional galleries
1992
- Ian Burn: minimal-conceptual work 1965-1970, Art Gallery of Western Australia, Perth; Monash University Gallery, Melbourne; Plimsoll Gallery, University of Tasmania, Hobart (1993); Art Gallery of New South Wales, Sydney
(1993)
1991
- Off the wall in the air: a seventies selection, Monash University Gallery and Australian Centre for Contemporary Art, Melbourne
1990
- 8th Biennale of Sydney: the readymade boomerang, Sydney
- Now see hear!, Wellington City Art Gallery, Wellington
1989
- Prints & Australia: pre-settlement to present, Australian National Gallery (now National Gallery of Australia), Canberra
- Art & Language (1966–1974), Galerie Sylvana Lorenz, Paris
- L’internationale situationiste 1957–1972, Centre Georges Pompidou, Paris
- Inside the Greenhouse, Tinsheds Gallery, University of Sydney, Sydney
- L’Art Conceptuel, une perspective, Musee d’Art Moderne de la Ville de Paris, Paris; Fondation Caja de Pensiones, Madrid; Deichtorhallen, Hamburg; and Musee d’Art Contemporain, Montreal
1988
- Survey, Museum of Contemporary Art, Brisbane
- Towers of torture, Tinsheds Gallery, University of Sydney, Sydney
1987
- In print: Vol 1: artists books, Power Gallery of Contemporary Art, Sydney
1986
- Close remarks, Artspace, Sydney
1983
- A Melbourne mood: cool contemporary art, Australian National Gallery (now National Gallery of Australia), Canberra
1980
- Printed art: a view of two decades, Museum of Modern Art, New York
1977
- Words, a look at the use of language in art 1967–1977, Whitney Museum, New York
- Illusion and reality, touring exhibition, Australian National Gallery (now National Gallery of Australia), Canberra and toured to state galleries
1976
- Drawing now, Museum of Modern Art, New York
- Minimal Art, National Gallery of Victoria, Melbourne
- Music-language, Eric Fabre Gallery, Paris
- New work, New York, UCLA Gallery, Los Angeles
- Music-language, John Weber Gallery, New York and Venice Biennale, Venice
- Plane/Zeichnungen/Diagramme, Galerie Paul Mainz, Cologne
1975
- Art & Language: New York <––> Australia, National Gallery of Victoria, Melbourne and Art Gallery of South Australia, Adelaide
- Group show, John Weber Gallery, New York
- Twenty from SoHo, Grey Gallery, New York University, New York
- Shouting Man posters, Kolner Kunstmarkt, Cologne; Galleria Foksal, Warsaw; and Student Cultural Centre, Belgrade
- Performance, documents, film, video, National Gallery of Victoria, Melbourne
1974
- 77 sentences, Galerie Schema, Florence
- Kunst uber Kunst: Werke und Theorien eine Ausstellung in drei Teilen (Art on art), Kolnischer Kunstverein, Cologne
- 13 Projekt ’74 artists, Galerie Paul Maenz, Cologne
- Summer group show, John Weber Gallery, New York
- Projekt ’74, Cologne Museum, Cologne
1973
- The Art & Language Institute, Galerie Paul Maenz, Cologne
- Annotations, Galerie Daniel Templon, Paris
- Art and its cultural context, Museum Dhondt-Dhaenens, Deurle, Belgium
- Einige wesentliche Beispiele früher Konzeptueller Kunst analytischen Charakters (Some early analytic Conceptual art), Galerie Paul Maenz, Cologne
- Index 02, Lisson Gallery, London
- Dourly 11.7.73, Museum Dhondt-Dhaenens, Deurle, Belgium
- Comparative models, Galerie Paul Maenz, Cologne
- Contemporanea, Rome
- Recent Australian art, Art Gallery of New South Wales, Sydney
- Index 002 Bxal, John Weber Gallery, New York
1972
- Comparative models, Galerie Daniel Templon, Milani
- ALEA, Pamplona, Spain
- Index 01, Documenta 5, Kassel, Germany
- Documenta memorandum (indexing), Galerie Paul Maenz, Cologne and Galerie Daniel Templon, Paris
1971
- 45º30’N – 73º36’W, Sir George Williams University, Montreal
- Projected art, Finch College Museum, New York
- Collected works, Pinacotheca Gallery, Melbourne (with Mel Ramsden)
- The boardwalk show, Protetch-Rivkin, Atlantic City, New Jersey
- The situation now: object or post-object art, Contemporary Art Society, Sydney
- Septime Biennale des Jeunes, Parc Floral de Paris, Paris
- Taped lectures, Dain Gallery, New York
- Arte concettuale, Galleria Daniel Templon, Milan
1970
- Conceptual Art and conceptual aspects, New York Cultural Center, New York
- Art in the mind, Allen Art Museum, Oberlin, Ohio
- Information, Museum of Modern Art, New York
- Concept-theorie, Galerie Daniel Templon, Paris
1969
- Pinacotheca Gallery, Melbourne (with Mel Ramsden and Roger Cutforth)
1968
- The Field, National Gallery of Victoria, Melbourne and Art Gallery of New South Wales, Sydney
1966
- Young Melbourne painters, Rudy Komon Gallery, Sydney
1964
- Young Minds, Museum of Modern Art, Melbourne
1963-64
- Various group exhibitions, Argus Gallery and Gallery A, Melbourne
Collections
- Museum of Modern Art, New York
- Musee d’Art Moderne de Saint-Etienne, France
- National Gallery of Australia, Canberra
- National Gallery of Victoria, Melbourne
- Art Gallery of New South Wales, Sydney
- Art Gallery of Western Australia, Perth
- Queensland Art Gallery / Gallery of Modern Art, Brisbane
- Museum of Contemporary Art, Sydney
- Monash University Museum of Art, Melbourne