Robert Andrew

Ground-up 2017–2019, Ochres, oxides, water, and electromechanical components, 270 x 500 x 60 cm
A Connective Reveal—Language in Country 2022, Soil, rocks from Muwinina Country, ochres from Mumirimina Country, iron oxide, water, aluminium and electro-mechanical components, Dimensions variable, Installation view, 'Within an Utterance', MONA, Hobart
Transitional Text—Buru 2016, Ochre, oxides, calcium carbonate, water, aluminium, and electro mechanical components, Dimensions variable
Installation view, 'Held within a word' 2023, Perth Institute of Contemporary Arts. Photo by Dan McCabe.
This Language That Is Every Stone 2022, Detail, Installation at the Institute of Modern Art, Brisbane.
new eyes - old Country - Nagula 2025, Charcoal, electromechanical devices, aluminium components, single channel video, Dimensions variable
Continuing Depths of Connection (video) 2021, Ochre, oxide, string, electromechanical device, granite chips, Dimensions variable, Video by Charlie Hillhouse.
Continuing Residues 1 and 2 2016, Ochres, oxides, and chalk on canvas, 180 x 60 cm
Presence 2019, Soil, ochre, oxides, string, aluminium, and electro mechanical components, Dimensions variable
Data Stratification - ngan-ga 2021, Rocks, branches, pearl shell, thread, electromechanical device and acrylic conduits, Dimensions variable
A Connective Reveal—Language 2019, Ochre, oxides, chalk, aluminium, and electromechanical components, 280 x 500 x 60 cm, Exhibition: 'The National' 2019, Art Gallery of New South Wales. Photograph: Diana Panuccio
Touching Pindan 2016, Ochres, bluestone, assorted rocks, and aluminium
Continuing depths of connection 2019-2020, Ochre, oxide, string, electromechanical device, granite chips, Dimensions variable, Installed at Adderton: House and Heart of Mercy.
A Connective Reveal—nainmurra guuruburrii dhaura 2022, Installation view, National Gallery of Australia.

Robert Andrew is a descendant of the Yawuru people, his Country is the lands and waters of the Broome area in the Kimberley Region, Western Australia. His work investigates the personal and family histories that have been denied or forgotten. Andrew’s work speaks to the past yet articulates a contemporary relationship to his Country—using technology to make visible the interconnecting spiritual, cultural, physical, and historical relationships with the land, waters, sky, and all living things. Andrew’s work often combines programmable machinery with earth pigments, ochres, rocks and soil to mine historical, cultural and personal events that have been buried and distanced by the dominant paradigms of western culture.


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