Ross Manning

Spectra XIII 2017, fluroescent lights, fans, timber, acrylic paint, steel cable, Dimensions variable., Installation view, 'Dissonant Rhythms', Institute of Modern Art, Brisbane. Photo by Carl Warner.
Pixel Points 2019, LED lights, bolts, computer fan, glass bowl, tin, bamboo, aluminium pipe, steel rulers, tripod, and cables, Dimensions variable, Installation view, 'Material Sound', Plimsoll Gallery. Photo by Eden Meure.
Ambient Painting (Square) 2021, Acrylic, stainless steel and dichroic glass on canvas, 200 x 200 cm
Dichroic Filter Piece (extended projection) (detail) 2013, Dichroic filters, cut glass, DVD players and projectors, Variable, Perth Institute of Contemporary Arts
Wave Opus III 2017, Powder-coated aluminium, rope, motors, programming equipment, Dimensions variable, Installation view, 'Dissonant Rhythms', Institute of Modern Art. Commissioned by the Institute of Modern Art, Brisbane. Photo by Carl Warner.
Ambient Painting (Large) 2021, Acrylic, stainless steel and dichroic glass on canvas, 180 x 240 cm
Melody Lines 2016, Glass, laminate, fluorescent tubes, metal piping and conveyor motor, Variable, Carriageworks, Sydney. Image by Zan Wimberley.
Ambient Solar Piece 2019, Dichroic glass and powder-coated aluminium, Installation at Milani Gallery
Six Short Films 2016, Overhead projectors, theatre gel, motors, interval timers and rollers, Dimensions variable, Installation view, Govett-Brewster, Len Lye Centre, New Zealand. Photo by Sam Hartnett.
Hyperbola 2019, Plastic umbrellas, trace wire, paper-clips, abacus, motors, aluminium rod, timber, Dimensions variable, Installation view, Kyoto Art Centre.
Bricks and Blocks 2016, LCD TV colour reversing camera fluorescent lights, aluminium and mirror, 110 x 86 x 95 cm, Photo by Louis Lim.

Ross Manning (b. 1978, Brisbane, Australia) lives and works in Brisbane, Australia. Known for his exploration of our on-going relationship with technology, his primary focus is the power and agency of the electronic image, the digitisation of the natural world, and the ephemeral nature of data and machines.

His work is often comprised of interactions between light, sound and physics, setting up networks of objects which operate according to their own internal logic.

read more +

CV +

texts and essays +

Exhibitions

Off-site Exhibitions

News

Events