Exhibitions / Vernon Ah Kee, Richard Bell, Gordon Bennett, Ian Burn, Bonita Ely, D Harding, Tom Nicholson, Raquel Ormella, Rosslynd Piggott, Judy Watson
‘Notes on Perception’

Jun 4 – 27, 2020 Milani Gallery

Installation view of 'Notes on Perception' 2020 1 / 12

Installation view of 'Notes on Perception' 2020 2 / 12

Rosslynd Piggott Installation view of Rosslynd Piggott, 'Night - 24 Hours 2008-09, oil on linen, 150 x 300 cm 3 / 12

Installation view of 'Notes on Perception' 2020 4 / 12

Installation view of Dale Harding, 'Red hill quarry to Blackwater Creek' 2019-20, ochre, dry pigment and acrylic binder on linen, 150 x 300cm; 2 parts: 150 x 180 cm, 150 x 120 cm 5 / 12

Installation view of 'Notes on Perception' 2020 6 / 12

Installation view of 'Notes on Perception' 2020 7 / 12

Installation view of 'Notes on Perception' 2020 8 / 12

Installation view of 'Notes on Perception' 2020 9 / 12

Installation view of 'Notes on Perception' 2020 10 / 12

Installation view of Tom Nicholson, 'Cartoons of Joseph Selleny' 2014, charcoal drawings perforated and pounced with cheesecloth bags full of ground charcoal; off-set, printed artist's book to take away. 7 parts, dimensions variable. 11 / 12

Installation view of Judy Watson, 'a preponderance of blood' 2019, artist book, 44 pages, 30.5 x 21.5 cm 12 / 12

Exhibition Artworks

Red hill quarry to Blackwater Coal — D Harding Red hill quarry to Blackwater Coal 2019-20, Ochre, dry pigment and acrylic binder on linen, 2 pieces: 150 x 180 cm, 150 x 120 cm

Notes to Basquiat (Death of Irony) — Gordon Bennett Notes to Basquiat (Death of Irony) 2002, Acrylic on linen, 2 pieces: Part 1 150 x 150 cm, Part 2 150 x 150 cm

Problematic Fragments #2 (Deakin) — Raquel Ormella Problematic Fragments #2 (Deakin) 2019, Re-worked nylon flag, 150 x 260 cm

Blue premiss no. 2 — Ian Burn Blue premiss no. 2 1966, Synthetic polymer paint on canvas, 226 x 104 cm

willilive — Vernon Ah Kee willilive 2017, Acrylic and enamel on linen, 150 x 150 cm

Cartoons for Joseph Selleny (detail) — Tom Nicholson Cartoons for Joseph Selleny (detail) 2014, Charcoal drawings perforated and punced with cheesecloth bags full of ground charcoal; off-set printed artist's book to take away, 7 parts; dimensions variable

Cartoons for Joseph Selleny (detail) — Tom Nicholson Cartoons for Joseph Selleny (detail) 2014, Charcoal drawings perforated and pounced with cheesecloth bags full of ground charcoal; off-set printed artist's book to take away, 7 parts, dimensions variable

a preponderance of aboriginal blood — Judy Watson a preponderance of aboriginal blood 2005, Etchings with chine collé, Page 6 from artist's book, Printers: Suzanne Danaher and Tricia Hatcher, numero uno publications, Grahame Galleries + Editions

Lies — Richard Bell Lies 2019, Synthetic polymer on canvas, 121 x 121 cm

Life is Full of Situations — Bonita Ely Life is Full of Situations 1978, Etching on paper, 112.5 x 74.5 (framed)

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