Exhibitions  /  Vernon Ah Kee, Robert Andrew, Megan Cope, Khaled Sabsabi, Sancintya Mohini Simpson
‘This language that is every stone’

Feb 12 – Apr 16, 2022 Institute of Modern Art, Brisbane

Vernon Ah Kee many lies 2017, acrylic and enamel on linen, 720 x 240cm, photographed by Joe Ruckli 1 / 5
Robert Andrew Moving beyond the line 2022, book, water, aluminium, ochre, and electromechanical components, 360 x 80 x 60cm, photographed by Joe Ruckli 2 / 5
Megan Cope Kinyingarra Guwinyanba (Off-Country) (study) 2021, eucalyptus, Kinyinyarra (Sydney Rock Oyster) shell and stainless-steel trace wire, dimensions variable, photographed by Joe Ruckli 3 / 5
Khaled Sabsabi 1008 2020–2021, 56 enamel and acrylic paint on paper and foam board, 360 x 420cm overall, photographed by Joe Ruckli 4 / 5
Sancintya Mohini Simpson Kāla 2022, sugarcane ash, 70 x 70cm, photographed by Joe Ruckli 5 / 5

Developed specifically within an Australian context, This language that is every stone explores cultural synthesis and permeability through the works of Australian First Nations and diasporic artists, with contributions from international counterparts.

More information can be found here.

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