Imants Tillers

Seascape 2020, Synthetic polymer paint, gouache on 32 canvasboards, nos. 119921–110952, 203 x 142 cm
Towards The Shining Light 1989, Charcoal, pencil on 110 canvasboards, nos. 21467–21576, 279 x 381 cm
Installation view 2020
Melencholia II 2024, Synthetic polymer paint, gouache on 18 canvasboards, 152.5 x 106.6 cm
Journey to Nowhere (clip) 2018, Feature-length documentary, Directed by Antra Cilinska and Produced by Juris Podnieks Studio.
Wrapped Coast 2019, Synthetic polymer paint, gouache on 132 canvasboards, nos. 109427–109558, 280 x 427 cm
Diaspora 1992, Oilstick, gouache, synthetic polymer paint on 228 canvas boards, 305 x 915 cm, Collection of the Museum of New Zealand Te Papa Tongarewa
Installation view of 'The Nine Shots' 1985, Latvian National Museum of Art, Riga
The Emergency of Being 2013, Synthetic polymer paint and gouache on 25 canvas boards, 150 x 150 cm, Private collection, Riga
Tabula Rasa (For My Father) 2011, Synthetic polymer paint, gouache on 288 canvas boards, 303 x 850 cm
Installation view of 'Journey to Nowhere 2018, Latvian National Museum of Art, Riga
Installation view of 'Twilight of the Idols' 1983, Synthetic polymer paint, charcoal, pencil on 88 canvas boards, 279 x 304 cm
Installation view of 'Journey to Nowhere' 2018, Latvian National Museum of Art, Riga
Terra Negata 2005, Synthetic polymer paint and gouache on 288 canvas boards, 304 x 854 cm
The Tears of Things 2020, Synthetic polymer paint, gouache on 54 canvasboards, nos. 110579–110632, 228 x 213 cm

Imants Tillers is an artist, writer and curator. He has exhibited extensively since the late 1960s and has represented Australia at significant international exhibitions such as the Venice Biennale (1986), Documenta 7 (1982) and the São Paulo Bienal (1975).

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