Jean Barth

Screen Test (1) 2026, Oil paint screen printed on canvas, 190 x 160 cm
Clumped Spirit (Performance Capture), and Clumped Spirit (Clipping) 2024, Oil printed and brushed on linen, Installation view, The Clumped Spirit, UNSW Galleries, Sydney. Photograph by Jacquie Manning
Clumped Composition (Inverted), Clumped Composition (Spilled Blueberries), Clumped Composition (Crouching) 2024, 3D printed resin, sprayed zinc coating, Installation view, The clumped Spirit, Institute of Modern Art, Brisbane. Photograph by Joe Ruckli.
Screen Test (5) 2026, Oil paint screen printed on board, installation view
Earthbound Installation View 2022, Single channel video, HD, Sound: Isha Ram Das, 8 minutes 57 seconds
Clumped Composition (resting), and Clumped Spirit (Void) 2024, Installation view, ‘The Clumped Spirit,’ Institute of Modern Art, Brisbane. Photograph by Joe Ruckli
Stonemilker (Study #3) 2024, Oil paint screen printed on marine ply and cedar, Four panels: 178 x 228 cm overall
Screen Test (3) 2026, oil paint screen printed on canvas, installation view
Jean Barth, ‘The Clumped Spirit,’ installation view, 2024, Institute of Modern Art, Brisbane
Spilled Blueberries 2022, Oil on aluminium board, 111 x 178 cm, Collection of Monash University Museum of Art
Jean Barth, ‘The Clumped Spirit,’ installation view, 2024, Institute of Modern Art, Brisbane
When shaded, umbrageous, do I still feel cold? 2021, Oil paint screen printed and brushed on dibond, 86 x 75 cm, Collection of the National Gallery of Australia
Stone Milker (Study #1) 2024, Oil paint screen printed on marine ply and cedar, Two panels: 178 x 114 cm overall
Screen Test, Computers, Cables, and Shadows 2019, Oil printed and brushed on dibond, 57 x 80 cm
Stone Milker (Study #4) 2024, Oil paint screen printed on marine ply and cedar, Four panels: 178 x 228 cm overall
Screen Test, Umbrageous Self Portrait 2019, Oil printed and brushed on dibond, 73 x 61 cm
From potluck to compost 2021, Oil paint screen printed and brushed on dibond, 86 x 107 cm
Clumped Composition (Spilled Blueberries) 2024, Printed Polymer, Aluminium coating, dimensions variable

Jean Barth’s art practice is grounded in the subject of trans self-representation. At the core of her creative methodology is 3D world-building which is then assembled into a tableau drawing on portraiture's history and broader cultural narratives to begin forming compositions. These compositions then become oil paintings and video works.

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